In “Thinking
Globally” Michael Curtin states “markets are made, not given” (116). Prevailing
sociopolitical and cultural contexts simultaneously influence and are changed
by communications media. Technological innovation typically derives from
prevailing social relations and cultural forms that condition the selection,
investment and development of the media. Then the relationship becomes
reciprocal. The latest reorganization takes a multitude of forms. It urges us
not to proclaim an end to TV, but one more transmogrification of a medium that
has been the major audiovisual entertainment industry and source of information
in the region during the last six decades.
Latin
Americans watch more television than ever before. With the spread of diverse
options in the region for watching TV and video in the emerging digital era,
dating from about 2010, what we might call the televisual world of Latin
América is expanding, not contracting, as audiences experience different
screens and audiovisual possibilities. For example, the average Peruvian spends
nine hours a day in front of various screens enjoying a variety of formats. In
Brazil, the figure is eight hours, and seven in Mexico.
That’s a third of one’s life.
Of course,
quantity is not the only significant factor. In qualitative terms, viewers mix
several televisual options: established genres, such as telenovelas and
dramatic series; professional and amateur videos; sports, most notably
football; and films that may be either industrial or artisanal. For research reasons,
these texts are often separated by genres and platforms, but if they are to be
understood holistically as contemporary audience.
In Latin
America, as in many other places, distinctions between the use of a variety of
screen and types of service like free, subscription, broadcast, video on demand,
computers, smart TVs, and other digital devices are not hard and fast. Rather,
there is a flow across the categories, with differences established as social
practices rather than technological essences. The latest data also confirm that
Latin Americans watch TV in this broad sense with others—that the norm
is collective viewing, across genres and media, due in part to the need to
share resources in a zone where wealth is so unevenly skewed. This adds to the
cultural embeddedness of the medium and its orality.
Of Latin
America’s six hundred million people, approximately half have encountered the
internet, with growth of over 1,700% between 2000 and 2015. That puts the
region just ahead of the Arab world and the global average, and well beyond the
percentage of people who have experienced connection in Asia or Africa. So what does this says about the internet market in Latin America?
Ariel, your post is very informative and I'm interested in this idea of the differences in cultural viewing. In Latin America, you state that it's much more of a collective due to resources. It makes me think about the relationship between nations and the "types" or genres of television that are in demand depending on that culture. In the case of Latin America, how much of their television could be considered "global" if there's a catering to the culture at work? And to your final point, is there information about what the internet is being used for?
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