The reading
this week got me thinking about how television is engrained and a major part of
all of our lives. While it was developed as a result of scientific and
technological research, the results of television have been much farther
reaching (Williams, 3). While Williams, McLuhan, and Feuer all have very valid
viewpoints and in many cases extremely accurate observations about television,
so much has changed in the thirty, forty, and fifty years since their writings
were originally published. As McLuhan wrote, “The medium, or process, of our
time- electric technology- is reshaping and restructuring patterns of social
independence and every aspect of our personal life. It is forcing us to
reconsider every thought, every action, and every institution formerly taken
for granted” (“Medium” 8). McLuhan is correct here, but just how correct has
yet to be seen as television and information technologies are continually
evolving and reshaping our lives on a daily basis. There are two areas in particular
which McLuhan and Williams discuss which I would like to investigate further:
namely media involvement in politics and the low-definition, inferior quality
of television to film. While each of these topics could on their own lead to
much larger discussions, I will only scratch the surface and hopefully open up
some more questions and observations for greater discussion on the class
blog.
According
to Raymond Williams in 1974, television was in many ways, even after numerous
technological advances over the years, still seen as inferior to cinema (22).
But is this still the case today? As the well-known HBO slogan suggests, “it’s
not TV, it’s HBO” television has advanced to the point where it has become
something more than how it was previously conceived or thought of. There have
been such huge advances in the decades since Williams first wrote Television: Technology and Cultural Form,
I suspect that what we think of as television nowadays would have been
unrecognizable in the preceding decades. Even looking back just 10 years to
2007 before the widespread adoption of digital broadcasting, in comparison to the
television we are used to today, looks very dated. Today people have
large-screen, high definition television sets and surround sound systems that
many home viewing experiences are almost at the same level as a movie theatre.
The production of television series has also changed and in many cases they are
just as technologically advanced and cinematically and visually striking as any
film and many times the budgets reflect that. The perception of what can be
done on television has also changed drastically. As Marshall McLuhan wrote, “to
contrast it with the film shot, many directors refer to the TV image as one of
‘low definition,’ in the sense that it offers little detail and a low degree of
information... A TV close-up provides only as much information as a small section
of a long-shot on the movie screen” (McLuhan, “Timid” 345). This perception of
an inferior quality to television has all but evaporated. Television is now
attracting some of the biggest actors and directors in Hollywood than would
have ever been seen just a few years ago in which actors and directors worked
toward making the leap from television to film and not vice verse.
Game of Thrones now
has a budget on par with many summer blockbusters, which can be seen in many
episodes, such as in Season 6 episode “Battle of the Bastards” directed by
Miguel Sapochnik
Both
McLuhan and Williams also discuss the importance of media in relation to politics.
“A new form of ‘politics’ is emerging, and in ways we haven’t yet noticed. The
living room has become a voting booth. Participation via television…is changing
everything” (McLuhan, “Medium” 22). Williams also has some interesting
observations about the role of news in this new, broadcast media environment in
which he mentions how American broadcast news has become more about the
appearance of presenting personal opinion. “In American television, there is a
studied informality which is meant to create the effect of a group of men
telling you things they happen to know. Even in network bulletins there is less
emphasis on a script and more personal presentation” (43). With the extreme
narrow-casting that has taken over the media news market, people can once again
search out the news they want to hear. In much the same way, Williams says that
in the early days of print news, people had the choice of what information they
chose to receive. The layout of the newspaper made it so that “the act of
reading a newspaper involved a glancing over or scanning, and then, within the
terms of the newspaper’s selection, the reader’s selection of items on which to
concentrate” (Williams, 40). However, as Williams continues to explain, with
the advent of first radio, and then television broadcast news, the delivery
structure became linear and the public no longer had a choice as to what news
they heard and in what order (41). Now, however, there has been a return to
this selective news model. The proliferation of so many news sources has
allowed the public an amazing amount of choice as to where they can receive
their news, each with its own unique brand of bias. This can be seen most
drastically in the recent 2016 election. The majority of people were receiving
their news from such limited sources, that when the election results first
started rolling in, the prevailing reaction was shock. How could this be
happening because everything these people had been seeing was directing their
perception of the news in a very different direction. It will be interesting to
see how this all plays out in the coming years and what we can learn by looking
back on our interactions with television. What does everyone else think? What
other changes have you noticed in our reception of television after the reading
this week? Is the Medium really the Message or has the message changed
with the medium?
Works Cited
McLuhan, Marshall. The Medium is the Message: An
Inventory of Effects. 1967.
Marshall, McLuhan. “Television: The Timid Giant.” Understanding
Media: The Extensions of Men. New York/London.
Williams, Raymond. Television: Technology and Cultural
Form. Routledge Classics ed. New
York: Routledge, 2003.
What really struck me was McLuhan's point that TV is "an extension of our central nervous system" and how that explains why humans can participate in television in a way that's deeper than passive viewership (McLuhan, 349). I've recently tried VR and can see how the remote and headset serve as eye and hand extensions, so the technological advancement of the human body seems even more relevant today. In addition, I agree with the return of the selective news model that you pointed out. There are more channels than ever (on traditional television and in new media) and in many ways this has allowed sub-societies, and sub-realities, to form. The emergence of new participatory television platforms has given niche opinions more influence and contradicts William's point that people can no longer choose what political messages they are exposed to. Other changes that I've noticed is how social media allows people to engage in television further by spreading their experiences past the community in their living rooms. In this way, the voting booth is not just domestic as McLuhan suggested but rather exists in any corner of the world with wifi. The portability of technology can then mean that humans are denaturalized and that we are becoming permanently immersed in our electric nervous systems.
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